●前言 范例Ⅰ《小巷里（神乐坂）》／ 6 章 水墨风景画的基础 ······································ 7 １ 用具的准备 ··································································· 9 ２ 调墨的方法——于笔头中将墨调至协调 ··············· 10 ３ 面与线的灵活运用——阔叶树的画法 ··················· 12 ４ 笔顺的基础——于墨浓处入画································ 14 ５ 构图的基础 ································································· 16 范例Ⅱ《待春》／ 20 第2章 画法介绍和样画作品 ······························· 21 1 树之风景 ·········································································· 22 A 树干与树枝的画法／ 22 B 区别画树木（杉树与白桦）／ 24 C 不同类别树木的画法／ 28 D 草丛的画法／ 30 样画1 林间碎阳〈树木·树叶·路的画法〉／ 32 样画2 寂静〈落叶松·乌鸦·月的画法〉／ 34 样画3 爽樱〈樱花·石墙的画法〉／ 36 样画4 古都韵味〈梅·五重塔的画法〉／ 38 样画5 精灵之森〈白桦林·雪的画法〉／ 40 2 水之风景 ·········································································· 44 A 岩石的画法／ 44 B 溪流的画法／ 45 C 瀑布的画法／ 48 D 波浪的画法／ 49 样画1 悲之瀑布〈岩石·高处流水的画法〉／ 50 样画2 浅溪细流〈溪流·树丛·雪的画法〉／ 52 样画3 静韵〈桥·积雪之树木、池塘的画法〉／ 54 样画4 初夏水边〈树木·水面的画法〉／ 58 样画5 波涛〈鸟·波浪的画法〉／ 60 样画6 涟漪〈借用椰子树·皱纹纸对大海的描绘〉／ 62 样画7 午后一刻〈船·建筑的画法〉／ 64 样画8 黄昏时分的运河〈凤尾船的画法〉／ 66 3 山之风景 ···········································································68 A 岩石的画法／ 68 B 雪山的画法／ 70 C 雾山的画法／ 71 范例Ⅲ《秀峰》／ 73 范例Ⅳ《富士山北麓》／ 74 范例Ⅴ《奥地利阿尔卑斯山远望》／ 75 样画１ 雄壮山峰〈雪山·树木的画法〉／ 76 样画２ 悠然〈山岳·树木的画法〉／ 80 样画３ 烟雾〈树木·雾·鸟的画法〉／ 82 4 建筑风景 ···········································································84 A 民宅的画法／ 84 B 欧式建筑的画法／ 85 C 点景（人物·动物等）的画法／ 88 范例Ⅵ《通往教堂的小巷（阿尔）》／ 91 D 云的画法／ 92 样画１ 历史余韵〈石墙的画法〉／ 94 样画２ 孤村〈茅屋民宅的画法〉／ 98 样画３ 旅怀〈松树的画法〉／ 100 样画４ 古都之韵〈五重塔·杉树的画法〉／ 102 样画５ 旅愁〈点景人物·墙壁的画法〉／ 104 样画６ 古桥〈石桥的画法〉／ 106 样画７ 静谧〈佛堂·杉树的画法〉／ 108 样画８ 憧憬之外〈教堂的画法〉／ 112 范例Ⅶ《午后（威尼斯）》／ 114 作者简介 ·············································································· 115
内容简介
本书由在日本深受好评的水墨风景画家松井阳水创作。从运笔要领出发，简明易懂地解说了树木、水、山、建筑物的基本笔法。本书可作为水墨风景画教材，其中收录了从初学者到中不错水平者皆可充分学习与欣赏的24个样例。
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